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Sonia Pressman FuentesFuentes
"If You Speak His Language"

From Eat First -- You Don't Know What They'll Give You,  The Adventures of an Immigrant Family and Their Feminist Daughter by Sonia Pressman Fuentes

  Contact Ms. Fuentes at:  spfuentes@comcast.net  
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If You Speak His Language

"Howja like dot?" asked my father.

"Not dot," corrected Mother, unperturbed by Father's twenty-year resistance to the niceties of English pronunciation. "Not dot. Dat. T - h - a - t. Dat." For some inexplicable reason, Mother's tutorial method with a man who had never mastered the alphabet was premised on spelling. I suspected this technique owed its application not so much to Mother's belief in its validity as a teaching tool but to her desire to demonstrate her own superior grasp of the language. "All right," said Father, in his I-stand-corrected tone. "Dat. Howja like dat?" And, then he said, in astonishment and delight, "`Herry' Belafonte turns out to be a Jew!"

No amount of refutation from Mother and me had the slightest effect on him. "Herry" Belafonte sang in Hebrew. Who else but a Jew would do that? He was obviously one of those Black Jews, like those of Ethiopia.

Strictly speaking, Hebrew wasn't my father's language. Yiddish was. But Hebrew was the language of the Bible, the other sacred texts and, in recent times, the language of Israel. That was good enough for Dad.

From then on, "Herry" was a favorite in our house. On those notable occasions when he made a TV appearance, the family would gather before the set and sit in hushed and grateful silence. One of our own was on.

Accordingly, it came as no surprise to Father when "Herry" divorced Marguerite, his African American wife, and married Julie Robinson, a young Jewish dancer with the Katherine Dunham dance troupe. "Nu," said Father, with that know-it-all sparkle in his eyes. "What did I tell you? A Jewish fellah. First, he's got to marry a shikse [a gentile girl or woman]. And then he finds a nice Jewish girl."

The acid test of reality never had a chance with my father. He had the exasperating ability to conform reality to his own vision of it.

©1996 by Sonia Pressman Fuentes

This piece was published in Tzum Punkt (Nov.-Dec. 1999, Vol. 1, No. 2)  p. 5, the newsletter of Yiddish of Greater Washington, and in the premier issue of Cafe Ami, an e-zine dedicated to Jewish diversity at yachadbshalom.com.

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Germany, 1931
Berlin Shop, 1931
Germany, 1932
Belgium, 1934
Cornell, 1950
University of Miami, 1956
Washington, DC, 1966
Washington, DC, 1993
Coral Gables, 1990s
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Plainfield, 1998
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At the Capitol, 2000
Meadows Players, 2001
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Piltz, Poland, 2001
Sarasota, March 2002
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Lewin Studio, 2003
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